I have taught “Theology and Practice of Worship” at Crossroads College on an alternate year schedule for the past 14 years. Since hymnology is an important component of the course, a good hymnal is required. I had grown weary of the hymnals we had used in past years, so I went to a local Christian book store to peruse options. I highly value a hymnal that serves as a practical resource for our students because most of them pursue vocational ministry and need something that will be highly effective.
The first thing that drew me to The Christian Life Hymnal was the selection of hymns included in the anthology. I immediately found a balance of ancient texts and tunes, chorales, reformation hymns, Wesleyan hymns, revivalist era hymns and gospel songs in addition to a modest sprinkling of well-known praise and worship songs from the late twentieth century and early twenty-first century. Since adopting the hymnal, an added bonus has been the pleasure of discovering several hymns from all eras that were previously unfamiliar to me.
The second attractive feature of The Christian Life Hymnal was the artistically expressed depth of meanings in the texts chosen. Some “less popular” hymns with outstanding literary and poetic devices are included in the collection. Again, this hymnal strikes a balance of objective truth (Divine revelation) and subjective experience (human response).
The third drawing point, without a doubt, was the wise selection of keys. Rarely does the range of the melodies exceed D (an octave above middle C), and only then when absolutely necessary. The editors understand that most congregants are not trained, warmed-up vocalists (especially in the morning hours when most churches meet!). The keys to songs with broader ranges are generally a whole step lower than they appear in other hymnals. This assists the congregation (men especially) and encourages greater participation.
Another nice feature of The Christian Hymnal not common to other hymnals is the occasional footnote to help the worshiper understand archaic language (Ebenezer, interposed, fetter, for instance, in “Come, Thou Fount;” prostrate, diadem, terrestrial ball, in “All Hail the Power”). In the case of “Thees and Thous,” the original language has been left unaltered, but the use of male-gender pronouns when alluding to humankind have been substituted with gender-neutral alternatives (“Good Christian Men, Rejoice” is now “Good Christian Friends, Rejoice).
Finally, the seven indexes in the back of the book are excellent resources for worship planners. Of them, the Scriptural Allusion Index, Metrical Tune Index, and Church Year Index are invaluable. The Hymn Titles/First Lines Index also includes the key of each selection which is very helpful in quickly assembling medleys.
As a hymnbook for congregational singing, a devotional guide, and even an academic textbook, I know no better resource than The Christian Life Hymnal. -Brian Dunbar
